A native of Philadelphia, Lester Goldman moved to Kansas City in 1966 to become a Professor of Painting at the Kansas City Art Institute. During the last five years his work could be seen at the Joseph Nease Gallery in one person exhibits such as “Boxcar: The Paintings” and “Welcome to the Rag Ball” along with group exhibits such as “Is Was” and “Space Oddity.” Goldman’s work can be seen in such publications as “Speck Magazine,” issue 1, vol. 1, 2001; “Artists On Artists,” edition 10, an illustrated conversation with Eric Sall; “Charlotte Street Fund 2001,” illustrated essay, by curator Kate Hackman; “Welcome to the Rag Ball,” a limited edition letterpress book printed by Hammerpress, K.C., MO, 2001; “Wombshot,” an essay by Roberta Lord, with color illustration, Grand Arts Publication, K.C., MO, 1996; “New American Paintings,” number IV, Open Studios Press, illustrated biography, 1995; “Installation,” illustrated catalog, Joslyn Art Museum, Nebraska, 1993.

Lester Goldman has participated in panel discussions, including “Against Design” at the Kemper Museum of Contemporary Art, K.C., MO, 2001; and “How the Fool Functions in Contemporary Art” at Grand Arts, K.C., MO, 1997. Mr. Goldman created the concept for and moderated “What is it That Makes Contemporary Art Contemporary?” a 2002 panel discussion with Lance Esplund at the Kansas City Art Institute. Mr. Goldman has been invited to lecture at numerous universities and colleges across the U.S. such as the American University in Washington D.C. and the University of Kansas in Lawrence.

Reviews and articles have been written following the many exhibits, including “ ‘Boxcar’ Exhibit Keeps City on Track with Abstraction,” Elizabeth Kirsch, The Kansas City Star, 2003; “Winning Works,” Alice Thorson, The Kansas City Star, 2001; “Charlotte Street Fund Award Exhibition,” J. Brinsfield, Review, November 1999; “Lester Goldman at Jan Weiner,” Alice Thorson, Art in America, February 1999; “Art in the Heartland,” Peter von Ziegasar, Art in America, June 1995; and many others.

Lester Goldman was honored with the Distinguished Achievement Award in 2005 and the Excellence in Teaching Award in 2003, both from the Kansas City Art Institute. He has received ten Mellon Faculty Development Grants since 1984. Mr. Goldman also received a National Endowment for the Arts Senior Fellowship for Painting in 1989, along with a National Endowment for the Arts Grant for Painting in 1986.

Mr. Goldman documented on video the following collaborative efforts. His role as set designer and puppet-maker in “Corkscrew,” Grand Arts, K.C., MO, 1996; “Plaguing Idiots,” Contemporary Art Center, K.C., MO, 1993; and “Wombshot;” Grand Arts, K.C., MO, 1996, which involved Goldman in set design and props. His recent sculpture exhibit, “Issachar’s Surveillance,” will be shown June24-July 30 at the KCAI Crossroads Gallery in K.C., MO.